He designed sets for nearly 200 plays and operas, mostly in the '60s, 70s and 80s - his best-known being The Cunning Little Vixen at Glyndebourne, Jumpers at the National and Turn of the Screw and Rigoletto at the ENO.
He taught me loads about painting, as well as sewing, knitting and cooking (a man ahead of his time) and everyone remembers him for his warmth, hugs and home-made wine. It's an honour to have been his daughter!
No comments:
Post a Comment